Solitary Places is Stefano's debut album, out now on all digital platforms. It was recorded at Metropolis Studios in London with the support of the hClub Emerging Creatives programme.
It is a work that blurs the lines between classical tradition, cinematic and electronic to bring contemporary classical music to a new audience.
“I wrote Solitary Places as a statement of hope. I wanted to create something which is beautiful and uplifting as well as intimate. I was inspired by the feeling of being in remote places where it is possible to gain a new hopeful perspective on our reality”.
Stefano Fasce
"While it might not often be possible to convey a narrative without lyrics, it is possible to convey feelings and emotion, something that Stefano Fasce manages to do effortlessly on ‘Human’. "
ABOUT
Stefano Fasce is an Italian composer based in London, passionate about writing music that tells stories.
Equally at home in fiction, documentary, and animation, his work blends memorable melodies with a keen sense of emotional nuance. A trained flautist, Stefano has a particular affinity for writing for flute and strings.
Recent credits include The Fisherman, the Wife and the Piano, a Japanese feature documentary broadcast on NHK in 2024, and Cabala, an urban-fantasy series produced by Cattleya & Premio Solinas and released on RaiPlay. In 2018, he composed for the History Channel series Al Murray: Why Does Everyone Hate the English?, and scored Dead Birds, nominated for a Student Academy Award.
His short film scores have screened at numerous international festivals, with Dear Mr. Burton (2020) earning Best Original Score at the International Sound & Film Music Festival and Best Soundtrack at the White Deer International Film Festival.
Stefano holds an MA in Composing for Film & TV from the National Film & Television School (UK), where he now tutors emerging composers. He also holds a Specialist Certificate in Orchestration for Film & TV from Berklee College of Music, where he was awarded a Celebrity Online Scholarship. He has been selected for the BFI x BAFTA Crew talent programme and Psappha’s Composing for Cello Scheme.
A dedicated student of the Japanese language and a lifelong admirer of its storytelling traditions, Stefano continues to build strong creative ties with Japan. He is currently focused on expanding into animation and narrative fiction.
With a solid foundation in narrative scoring and a growing body of international work, he brings a thoughtful, emotionally driven approach to every project — always aiming to support stories with music that lingers in the memory.
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